Title: The Four Horsemen of the Apocalypse
Keywords: fiction;war;Apocalypse;World War I
Issue Date: 2006
Publisher: Project Gutenberg
Abstract: A Frenchman, Marcelo Desnoyers, travels to Argentina in 1870 and marries the elder daughter of Julio Madariaga, the owner of a ranch. Eventually, Marcelo; his wife; and his children, Julio and Chichi, move back to France and live in a mansion in Paris. Julio turns out to be a spoiled lazy young man who avoids commitments and flirts with a married woman, Marguerite Laurier. Meanwhile, Madariaga's younger daughter has married a German man, Karl Hartrott, and the Hartrotts move back to Germany. The Desnoyers family and the Hartrott family are thus set against each other with the onset of the First World War. However, Julio Desnoyers initially shows no interest in the war, but Hartrott's family eagerly supports the German cause. It is only after Julio's lover, Marguerite, lavishes attention upon her husband after the latter is wounded in battle that Julio is moved to participate in the war. While the young Julio serves as a soldier, the aging Marcelo leaves the shelter and returns to his mansion, where he watches the German soldiers advance and eventually plunder his belongings and eat his food. At last, the French soldiers push back the German soldiers, and Marcelo chooses to defend a German man who spared Marcelo's life. Julio Desnoyers returns to his family after he was wounded in a battle but praised for his valour, and he quickly sets out again to continue fighting. At the close of the war, Julio is killed in battle. The novel ends with Marcelo at his son's grave; he regrets that if his daughter, Chichi, has any children, they will not bear the name "Desnoyers." Marcelo finds that Hartrott also has lost a son in the war.
URI: https://tlor.svkos.cz/handle/123456789/710
metadata.dc.rights.*: PUBLIC DOMAIN This work is in Public Domain and no exclusive intellectual property rights apply to it in the countries of this e-library project. These rights has expired or been forfeited. Anyone can copy, modify, distribute and perform the work, even for commercial purposes, all without asking a permission. Still, who would like to use this text or quote a part of it, he or she is obliged to cite its author and source.
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